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Oriental Aesthetics Ink Wash Poster のQwen Imageプロンプト例: A prompt for a minimalist New Chinese style ink wash landscape poster featuring misty mountains, a mirror-like lake, and a...
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Oriental Aesthetics Ink Wash Poster

A prompt for a minimalist New Chinese style ink wash landscape poster featuring misty mountains, a mirror-like lake, and a small boat with a red-clothed figure.

商品写真、パッケージ、ブランド広告の初稿作りに向いています。主体、素材、背景、商業レタッチの方向があるので、変数を差し替えるだけで試せます。

生成に使う

推奨比率

4:5 または 3:4

品質の進め方

まず軽く生成し、良い案を高精細で詰める

生成フロー

まずテキストで主画面を作り、一度に一つの重要な要素だけ修正します。

Qwen Image 完全プロンプト

中国語

New Chinese style ink wash landscape poster, vertical 9:16 composition, oriental minimalist aesthetic style. Large areas of white space, overall color palette of a spring morning (cyan-green, misty blue, light gray, pale ink), low saturation, clear and soft, high-end texture. The main subject consists of steep, majestic mountains rising from both sides of a calm lake, occupying the left and right sides of the frame. The mountains are rendered with ink wash techniques showing rich variations in wetness and density, with local pale green tints reflecting spring vitality. Peaks are enveloped in moist, soft morning mist that layers into the pale blue-gray sky, creating atmospheric perspective and spatial depth.

The lake surface is as calm as a mirror with a slight green tint, reflecting the mountains and sky with a soft focus and atomized diffusion effect, enhancing the moist and dreamy spring atmosphere. In the middle ground, a small wooden boat with a curved canopy floats slowly, oars lightly touching the water to create fine ripples that spread naturally, maintaining total stillness. On the boat is a fisherwoman in red, small in scale (distant perspective), simplified into an ink silhouette with light coloring. She wears a low-saturation cinnabar red traditional dress (not bright red), the color softened by the mist. No facial details, only the silhouette and posture (e.g., lightly touching the canopy or holding an oar). The red forms a faint reflection on the water, serving as the only warm visual focus.

The banks are dotted with sparse woods and new spring vegetation, using light ink and pale green dots, combining solid and void to enhance rhythm and life. A few birds soar in the distant sky, lightly and sparsely distributed to enhance spatial hierarchy and nimbleness. Centered at the top is vertical calligraphy: "{argument name="title" default="Oriental Aesthetics"}", in traditional hand-written running or cursive style (in the spirit of Wang Xizhi), with natural brushstrokes, clear transitions, and ink smudge effects to avoid a digital font feel. Calligraphy color is deep ink-blue or soft black, unified with the scene. Style: Fusion of ink wash and modern minimalist design, spring Zen, ethereal and moist, serene atmosphere, restrained warm-cool contrast, cinematic lighting, high-end artistic poster quality, 8K ultra-clear details.

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